Kenyan London-Based Rapper P-Tah Sets the Record Straight with His New EP ‘For the Record 2’
By Presta, 3 June 2024
Five months after the debut of his first EP in the series, Kenyan London-based rapper P-Tah has treated his fans to a sensational follow-up project dubbed “For the Record 2.” This new release is not just an EP; it’s a musical journey that cements P-Tah’s position as a lyrical heavyweight in the hip-hop world.
“For the Record 2” is a masterfully packaged, impeccably delivered project that walks hand-in-hand with P-Tah’s hardcore, bar-spitting, mind-provoking, and thought-evoking style. This rapper delves into crucial topics, ranging from economic to political and social issues, with a finesse that is both captivating and enlightening. P-Tah knows that “one hand can never clap,” so he enlisted fellow rappers and singers to help drive his points home, creating a musical round of applause that resonates deeply.
Funfact P–Tah was a god of art in the ancient egyptian times
The EP features an impressive lineup of artists, including Sir Bwoy, Cafu Da Truth, Sela Ninja, Old Skool Local, and Adam Shule Kongwe. These collaborations add a rich diversity to the project, making it a well-rounded and engaging listen.
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The EP kicks off on a motivational note with the track “Keep Moving Forward.” Featuring Adam Shule Kongwe, this song is a powerful anthem for anyone feeling like giving up. P-Tah’s lyrics remind us that “it’s not how hard you get knocked over; it’s about continuing after getting knocked over.” This track is a beacon of hope and resilience, encouraging listeners to persevere through life’s challenges.
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Track two, “Mwenda Pole,” is a collaborative effort featuring Sir Bwoy. This melody-rich, commercially appealing song emphasizes the importance of taking life slowly and approaching everything one step at a time. As the saying goes, “slow and steady wins the race,” and this track embodies that sentiment perfectly, urging listeners to do things right rather than quickly.
The third track, “Decepticons,” takes a politically charged stance. P-Tah speaks directly to the ruling class, calling them out for their deceptive antics and highlighting the stark contrast between their comfortable positions and the endless suffering of their citizens. This song is a bold and unflinching critique that resonates with anyone disillusioned by political corruption.
Track four, “Apollo,” is the only song on the EP without features. Here, P-Tah is like a waterfall, endlessly dropping flows that would make even the mighty Nile jealous. He compares his talent to that of the Greek mythical god Apollo, paying tribute to the legendary acts that came before him. P-Tah’s lyrical prowess shines through, making this track a standout on the EP.
The EP closes off with “Sio Kizembe,” featuring Tanzanian rappers Sela Ninja and Old Skool Local. This hardcore hip-hop song sees P-Tah using Sheng to exchange bars with the fluent Swahili rapping duo. The aim of the song can be seen as P-Tah showing that it doesn’t matter the domain—Sheng or Swahili—if you throw him to the wolves, he will come back leading the pack. “Sio Kizembe” is a testament to P-Tah’s versatility and his ability to thrive in any linguistic terrain.
“For the Record 2” is a testament to P-Tah’s growth as an artist and his unwavering commitment to addressing important issues through his music. Each track offers something unique, ensuring that listeners are both entertained and enlightened. As the proverb goes, “the pen is mightier than the sword,” and P-Tah wields his pen with remarkable skill.
What do you think of P-Tah’s latest EP? Share your thoughts and join the conversation!